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storylines - INTERVIEW

-Dear Henry and Fabrizio, thanks to share a little 'time together in Viadelluniversità. Why do not you tell us a little how the project came Storylines? I mean, What made you embark on this new musical experimentation, what was your intent in this project?

Henry: The Storylines are the current state of cooperation between us that lasted many years. The project starts from a place that we decided to take when we realized that we were playing that does not satisfy us anymore, that we were a bit grown up. With some changes in training, we decided to create the storylines, with the goal not easy to mix our musical intentions, sometimes very different. Our goal is to continue to search without frighten us, they often changed the Storylines since they were born and continue to do so certainly for quite a while yet.

-All of you have had previous musical experience, do you? What's different storylines and definitely not what you would like to be?

Henry : Fabrizio before joining us ThreatCon played with Charlie, and does so still, I Anthony and Frederick (now struggling with his solo project, Jackeyed) played in this group that I mentioned , with whom we have entered a dead end, a vicious circle of a corny music to which we did not feel even closer. The Storylines have arisen as a solution all this. Fabrizio however, I think it is a completion, like us and Charlie ThreatCon are somehow complementary. As for what we do not want to be absolutely not be able to answer well, we do not want to be an Italian group for Italian, for sure, and do not want to hear come even if we ever get somewhere. Being content is very dangerous and I personally can not stand the clique of the landing that is not to be cheering car came from nowhere, we prefer to be in the middle of the staircase, which is the one below or one above.

- is released your second album in spring June Leaves auoprodotto from your independent label Megaphone, is not it? Why not also tell us of this project in the project?

Henry: Our first album is really our first full-length album. Previous work ep are a few tracks, then in small experiments converged onto the disk. Megaphone is important to us, but it is not exactly our label, is a project that shares the groups involved in the management of things and not playing with us. It 'wonderful to see the potential of so many people want to make it come together, the potential of Megaphone are endless, it is almost a collective. Now we are working very hard on a Christmas compilation due out in free-download tracks and gather in large part unknown bands all over Europe and Italian, a project of mutual promotion and an attempt to show that there is an undergrowth of quality outside the scenes .

-Personally, Pond is perhaps the song that I like best of all. As you build your writing lyrics and music? Follow a line of work or the default process of creation is free in time and space?

Henry : Basic is a free process, but it is obvious that is generated over time un metodo che tende a ripetersi nel costruire le canzoni. Nel caso del nostro disco il discorso è piuttosto complicato, è quasi una raccolta di brani in parte composti molto tempo fa e in parte più recentemente. Pond è nata in una stanza di un appartamento a Montmartre, mentre stavo registrando con il microfono, fuori dalla finestra sulla corte del palazzo dove abitavo, i suoni riverberati di una festa di quartiere che si stava svolgendo a qualche centinaio di metri, niente di fintamente intellettualoide, era solo un riverbero bellissimo. I suoni erano super ovatt

ati, storpiati, più io ero un pò alienato in quel periodo e alla fine il tutto ha contribuito alla nascita del pezzo. Altri sono nati da nottate passate in sala prove, or by passing the material at a distance, such as SP1, born from a sample banal that I had sent from Paris and the other three have turned into one of the finest pieces of the disk, or other pieces still have changed considerably during the mix by Fabrizio, who has put his taste and gave it a shot its very personal. As for writing texts, are very personal and hermetic, but I do not see a limit in all this, indeed, I have always appreciated that texts of this kind give rise to startling epiphanies. I often, I get to listen to something and then I read the text and suddenly everything is clear. They are experiences that end up being shared without being at all equal, is a very beautiful.

-Apparently in your musical experimentation enter and interact with their new instrumental and vocal sounds. Looking for a musical or an accurate picture? I mean, there is an intent to create atmosphere and background in your particular places (I think so) and if so which ones?

Henry : Often mind being associated with a place. It is basically understood, for sometimes it seems that as a group do what it does so only for the particular place where he found himself living. As far as our production is otherwise enjoyable for us to talk about Piancavallo, where he was our rehearsal room and where it was recorded much of the disc. It is a place that we have chosen, in fact, three of us live in town or lived there, and it is easy to add to the fact that attend universities in four different cities for three quarters of an hour by road more regularly to try to do . But we can not deny that many of the atmospheres that we are born in the disk from there, a place for us was the escape from our universities, to everything that happens to us, for us to do another, or synthesize the rest, where the Most of the time it was just us, the mountains and snow. As I can not deny the influence of the year I spent in Paris, in negative or positive, which were composed a few songs on the disc, just as Pond. We are not looking for an image or an atmosphere, what we do comes from us, from what we live and how it mixes with the places, where the concrete in some seasons. For this record, at least it was.

Fabrizio: I think it is due to the enormous input that we are subjected, in an almost autonomous because only once a month and without notice, we exchange the great discoveries. This leads to different musical routes of travel, always based on common tastes and that 'a lot stronger. Lately I personally am concentrating on the importance of silence and voice in a piece on the music and not empty needing to play at a concert. It sounds like a blowjob mental but in reality a lot of time to drink (joke).

-What do you say about the health of the music today? What do you like and what is not?

Fabrizio : For myself I believe that, overall, the music remains sound, based on the values \u200b\u200bthat have always run like a desire to express something, inspiration and innovation. What has changed and 'that once (I think, not having personally experienced) there was a minor discrepancy between mainstream commercial and music made with passion. Most of what are now pushed to radio and television and 'a pre-packaged junk, musicians pushed to the limit fixed salary, two hundred concerts a year and idolatry of the teen-ager to the stars - and you just do not consider the game and' made . What remains to be done and 'rely on sites such as Pitchfork and thank the existence of Youtube and Nodata.tv who give us permission, that it is legal or illegal, to hear a devastating amount of music on gigabyte gigabyte per month.

things, "dematerialized" the CD as an entity 'in itself and makes it a mp3 in the mass, leading to two choices (I speak always for me): 1. frigates and without even listening to the song title, a true son of mp3. 2.comprare solid supports bookmarks, either vinyl or CD or even the original mp3 Bandcamp or from sites like iTunes Store. - I am personally very little one and two, but I promise to improve. From personal experience I find it unfair the way of music, in the beautiful country in the sense that there is always the cousin of the cousin who plays in local popularity, while a group can make all the efforts of this world and the largest figate and stay in rehearsal room because there is no public encouraged to discover from scratch, rather than pay € 3 to watch strangers play with those 3 € I drink a beer and I see two small tits the bar. We know we have none, we received many compliments and it makes me think that maybe something good we did well ourselves.

.. and now we start with step number 2.

Henry: I use the right to remain silent

-follow one or more musical patterns? Would you like to be a model of music? Do you like labels like "indie" etc..? You have a cliché?

Henry : is obvious that what we hear influences us a lot, but we hear so many different things so if we put together the four of us, not I would say that there are specific reference models. We did not invent anything, so there seems to be a "model of music." Labels such as "indie", etc.. If they mean a genuine way of relating to those who make music, some that we like. If it means the contrary, be sectoral and spring up the ass even no.

domandina-game: choose between a CD that you would bring with you all in the desert and a space (to be distinguished because the mood is different I think)

Fabrizio : Alligator of the desert would take The National Space Tarot sport of Fuck Buttons.

Henry: I do not know, maybe in the desert The lemon of pink The books, perhaps because it is accommodating and watery, or maybe not? perhaps because I can keep in the loop for a whole month. In the space I do not know what state of mind I could have, but even in the desert in fact, seem to me very close to the bottom so I do not know ... say Bromst Dan Deacon in the case is ending the air.

-Last but not least, what is music for you? You need it far?

Fabrizio : enough to be found for three years to 1100 meters each Friday in practice.

Henry : to tell the truth I'm often asked in recent months in which I find to have ninety percent of my time occupied by the university and these strange people. Simply because I need the rest I could do without, and I'm really bad at times that is when I realize I am not having taken the time it deserved.

-A in December released a Christmas compilation with the help of several independent artists, tell us how the idea of \u200b\u200bthis achievement and especially what is the spirit that animates it?

Henry: The idea comes from the assumption that if a person or group that produces music, as well as to promote himself, to find ways to promote other artists also valid, and also things come to an exponentially greater number of listeners, and all without spending a dime. And last year, with seven participants worked almost all of the area so much. The compilation of Christmas this year includes twenty artists from eight different countries, not to give less value to what is produced in Italy by us and the artists that we invited, but rather putting them in an international environment beyond the scenes of the neighborhood filled with satisfaction as ephemeral as useless. The compilation will be downloadable for free from December 23 to the site www.megaphone.it .

Giulia Bortoluzzi

Nintendo Club Coin Generator

the embers of an old friendship

The novel of which I treat in my first collaboration is, my humble opinion, one of the most intense born from the imagination of its author, Sándor Márai (1900 - 1989). Not surprisingly, it was in 1998, the first chosen by the publisher Adelphi (with his usual commendable foresight) to discover this writer to the Italian public. The life of Mara, well described in the essay by the curator Volume Marinella D'Alessandro, placed at the end of the novel, reflecting the turbulent events of the past century and at the same time the personal hardships that are common to many contemporaries. This is also why, in addition to his writings and for his wonderful prose, which must be considered among the most important writers of the twentieth century Europe, akin to other large and were famous for a certain period of their life to end up relegated to the margins from political upheavals. But we come to the book, The embers . How to introduce it? I feel I can say that it envelops the reader in a web of emotions, making him take the side of one hour and then another player in a vortex, line after line, increases continuous tension and leads to an ending that can not be forgotten. After forty years, two men will meet again in a castle at the foot of the Carpathian Mountains where he lives, alone and in perfect isolation from the world, one of the two, Henrik, a tired old general whose sole purpose for existence is constituted precisely by this meeting , expected and imagined all the time. The other man, Konrad, spent all those decades in the Far East, even though he almost frantically waiting time of return. From the two young men, who met at a military college in the wonderful capital of Vienna, had been inseparable, "like twins in the womb. [...] Their

to

micizia was serious and silent, like all great feelings that will last a lifetime. [...] Also realized, from the first moment, that this meeting would have bound them for life. " Finally, after an "exile" of forty years, Konrad returns from the East, to review Vienna, completely changed - like everything in Europe, after two horrible conflict - "Everything that swore loyalty no longer exists "he says at one point. In addition to Vienna, "this house" that Konrad wants to review: refers to the castle of the general, in which the two together also Krisztina, the general's wife, spent much time in the past. Among the old people, involving them in this conversation that after so long - and brings them to discuss everything from the East, the war, but most of their youth and moments relived in detail in their minds, which have before their separation - as appears in the shadow, the ghost of this woman, who, never having betrayed her husband dug a deep furrow between the two friends, who has not yet been closed after more than forty years. This is the secret shared by both, this "force that burns the fabric of life as a malignant radiation, but at the same time gives warmth to life and keeps it in tension," which allowed them to survive in the midst of "peace and war, [...] things miserable and great things, [...] [the] outbreak of fighting and [the] recover cartel 'to meet again and talk, talk, talk for a whole night, between the fireplace burning and the storm raging on the beautiful surrounding countryside, rediscovering "the embers" that brooded in the ashes of their distance.

Everything is designed to reach the final duel, a duel "without swords" between the illusions that the two friends have created on the decisiveness of this their last meeting, and that will prove to be unfounded, especially for Henrik, who sees dissolve his revenge becoming itself an illusion, when the night is done. The charm of the book is also attributed to the wonderful way of writing Mara, whose clear prose, straightforward yet profound, relentless, leaves the reader with no way out and forces him to move forward, until the last line, without the slightest tediarlo: every word is well placed, every sentence takes the reader for its clarity and pages run faster, until the final epilogue. A style that encourages reading and manages to convey both deep reflection on friendship, love, but also on changes in everything from running time and the wars that kill, immersing the reader in a calda, antica ma allo stesso tempo estremamente suggestiva, da cui si rimane indelebilmente colpiti. In conclusione, Le braci lascia in chi lo legge la sensazione di una prosa straordinaria e di una storia avvolgente, come la calda fiamma di un caminetto scoppiettante mentre fuori imperversa il temporale.

Daniele Lettig

Fifths Disease African Americans

meet a stranger tall, dark

“ La vita è il racconto di un idiota, pieno di rumore e furia, che alla fine non significa nulla” . Inizia citando il Macbeth l'ultimo lavoro di Woody Allen, Incontrerai l'uomo dei tuoi sogni , che a 76 anni film continues to give its loyal viewers. Of course, the joke rather pessimistic overview of the colors that do not leave much room for hope, but let's think about it. In short, it is no coincidence that Shakespeare quote. Over the years go by and the more the film by the New York approach to the comedies of English playwright: think of actors who find themselves faced with the vicissitudes that life requires, making us laugh at first, for their natural smallness, but perverting Following the dark and unpredictable abyss that lurks behind them. As well as "typical" are the characters shaped by their mentor - Allen and Shakespeare -, motivated and driven as a puppet una precisa costruzione degli atteggiamenti. E per concludere questa associazione di idee, la capacità d'intreccio e di azione di questo film fa tornare alla mente le pièce della penna inglese. Incontrerai l'uomo dei tuoi sogni è l'ennesimo tassello della filosofia alleniana. Forse scettica e magari cinica. Potremmo accostare il pensiero di Allen a Montaigne così come ci permettiamo di accostare Shakespeare al pensatore francese? Magari sì. Meglio, come vi piace, perché basta che funzioni. Ma scendiamo allora nel dettaglio del film ricordando che questa è una storia di abbandoni, di fede e di speranza, di passioni e ambizioni, e anche di cartomanzia. Allora, Londra ceto borghese. C'è Helena (Gemma Jones), anziana che si reca da una cartomante per avere un supporto emotivo dopo essere stata abbandonata dall'uomo con cui era sposata per tutta una vita. Au revoir razionalità, la folie de bienvenue . “Incontrerai uno sconosciuto alto e bruno” la rassicura la veggente. C'è da crederci? Di nuovo: basta che funzioni.

E poi c'è Alfie (Anthony Hopkins), l'ex marito, che colto da una tarda joie de vivre si accompagna ad una giovane bionda avvenente, una ragazza di nome Charmaine (Lucy Punch), che dice di far l'attrice, ma per “sbarcare il lunario” professa il mestiere più vecchio del mondo. Sally (Naomi Watts) is the daughter of Helena and Alfie, who tries to juggle in the world of art galleries, eventually taking a crush on her boss Greg (Antonio Banderas). Roy (Josh Brolin) is the husband of Sally, "from a book writer," after the only successful youth collects bottles and failures - both artistic and business. And finally there is Dia (Freida Pinto), the girl from the window opposite with its red dresses fall in love with Greg. How to juggle in this maze of relationships, frustrations and difficulties? It is difficult to accept, but the only way out is the deception that will bring people to a realization of itself unstable and precarious, poised in a balance precario.

Domenico Policarpo

Pokemon Diamond On Gba Format

presnitz OF ESTER

Ester mi accoglie con allegria nella sua cucina e, senza che me ne accorga, mi infila un cappellino di carta in testa e un grembiule per non sporcarmi. Mi racconta subito delle sue ultime scampagnate per andare a suonare il mandolino con gli amici: non male per una ragazzina che domani compirà 90 anni! Ma bando alle ciance, Ester mi mette subito al lavoro. Sono emozionata perchè fra poco sarò iniziata alla sua famosa ricetta del presnitz. Il presnitz, caposaldo della tradizione culinaria triestina, un classico delle feste, è stato definito da Pellegrino Artusi "dolce di tedescheria" ad indicare le origini austroungariche. Seems to have been prepared for the first time in 1832 in honor of Francis I and Empress of Austria, so that according to some the name is a corruption of Prinzessin Preis (prize princess). Carryover is the recipe below that Esther is happy to pass on, because you too can have fun to bring a little 'in Trieste on your table!

For the filling: 100g of nuts

100g almonds 50g pine nuts

200g sugar 250g raisins (washed and drained)

Rhum

2 egg whites

Coarsely chop the nuts, aggiungere lo zucchero e il rhum. Lasciare riposare (meglio preparare il composto il giorno prima). Poco prima di spalmare l'impasto montare a neve i due albumi ed incorporarli delicatamente all'impasto. Se il ripieno risultasse troppo umido, si può aggiustarlo con del pangrattato o biscotti secchi sbriciolati. La ricetta, a piacere, può prevedere anche cioccolato, frutta secca, miele o canditi, ma vista la già notevole consistenza della ricetta, Ester preferisce non aggiungere altro alla frutta secca.

Per la pasta:

300g di farina (10 cucchiai circa)

250g di ricotta non liquida

250g di burro (tolto dal frigo un po' di tempo prima)

Disporre la farina a fontana sul piano da lavoro (meglio se di marmo) con un pizzico di sale. Unire ricotta e burro morbido e lavorare con le mani. Sembra di ritornare bambini con la pasta ancora informe che si appiccica alle mani, mi viene il dubbio che non prenderà mai la consistenza giusta, ma Ester, che vede la mia espressione preoccupata, mi dice di non aver paura della pasta e della farina, di aggiungerne se ne sento il bisogno “te son ti che te comandi la pasta!”, aggiunge perentoria e rassicurante. Il risultato, inaspettatamente, è una pasta sana, morbida ed elastica. N.B. Se il piano e la pasta si scaldano anche solo leggermente, c'è la possibilità che gli ingredienti si separino. Per evitare che ciò succeda, lasciare riposare la pasta in frigo per qualche minuto. Mentre la pasta riposa, Ester mi racconta la storia di questo dolce, ed il segreto della sua ricetta magica. Un cuoco della compagnia del Lloyd Triestino aveva perfezionato la ricetta del classico dolce, per omaggiare nientemeno che Carlotta, la consorte di Massimiliano d'Austria, fratello dell'imperatore Francesco Giuseppe. Lui aggiungeva anche cioccolato e canditi, ma Ester ha semplificato la ricetta, già così piuttosto “impegnativa”. Nel frattempo la pasta si è raffreddata e la tagliamo in tre parti.

Cospargiamo il ripiano di farina e, uno at a time, we form the rectangle with a rolling pin, long, narrow, high mm.Sbattiamo about 8 egg yolks, they smear a thin layer on the rectangle, before forming a roll of dough in the center that covers its entire length. Shade, forms a spiral (to Esther more like a horseshoe shape) on the pan you can cover with aluminum foil, sprinkle the egg yolk, and while Esther plays the mandolin, let it cook in the oven at 180 degrees for about 40 minuti.Buon appetite and happy holidays from me and Esther!

Chiara Gelmini

Did Pinky Gain Weight?

many dear friends wish you a Merry Christmas readers. I'm going through a difficult period, but the books continue to keep me company. Meanwhile, I anticipate that I picked up your invitation to read "The History" by Elsa Morante. It 's a book that I read in high school and I was thrilled. Given the difficulties of the moment I chose not to re-examined, they are nevertheless curious to know if you liked to read and what you think. I remember a few things struck me this interweaving the history of this microcosm is described in the story proper, but I felt overwhelming the unfolding of these events without any possibility of light. It 's a terrible story that is presented without a design, a purpose, but not tragically grand. Quite different from other big story in this novel whose protagonist is full. But I, in addition to the usual dose of mystery novels, I am dedicated to Konrad Lorenz. I read "And the man met the dog," and now I'm reading "The ring of King Solomon." Beautiful! Sure, you have to like animals and ethology, but books are really fascinating. Hugs to all and hope to see you Tuesday. Rosa

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Merry Christmas "The Story" by Elsa Morante

It 's the title of the book of the month, we decided to read a view del'incontro of December, which will immediately after Christmas, Tuesday 28.
Last Thursday we were all less Rosa, but we read his last post, commenting on his extraordinary skills of reading marathon!
It is still spoken of "culinary ecstasy", read by Christina, who found him pleasant, if a little 'wink, a bit' smarter about the reader. Now I've taken over me, while I went to Cristina "Stabat Mater". On this we split into two schools of thought: according to Grace is distressing (but not yet read it in its entirety), and Marisa and I have found very original and extraordinarily evocative of the music of Vivaldi.
's the story of a loneliness, but, as mentioned in the preface, there are two types of loneliness: the good and the bad, and Cecilia, with music, it can fly beyond the boundaries of his confinement.
report to Rose and others that many of our readers at Edison Library meetings are held on the slow travel (on foot and on donkey) cared for by Nature to live Tour Operator www.naturadavivere.it
soon
Gloria

College Biology Review

Balmorhea

A very special evening and at the same time una novità per la città: il 29 ottobre il Tetris di Trieste, locale oramai famoso per i concerti e la musica live, ci ha regalato i Balmorhea. Il gruppo texano, più precisamente di Austin, sono un complesso definibile “post-classical”, termine che non ci aiuta molto ma che vuole racchiudere un genere con influenze di musica classica combinate ad elementi e sonorità vicine al rock e al folk. Il gruppo, dopo i primi tre lavori contraddistinti da sperimentazioni sonore e formazioni strumentali diverse, ha pubblicato l’ultimo album Constellation . Il lavoro è incentrato principalmente sul suono, una sorta di evoluzione del suono che ha portato il gruppo ad elaborare melodie profonde ed intense which are instrumental in the deadlift and moments of near silence or pause, a reflective disc and deep drifts and leaves room for imagination. The Balmorhea, on tour for their latest album, presented themselves at the local Trieste with a formation of three arches, two guitarists and a drummer who alternated between piano and banjo. The concert itself may be considered a kind of experiment in relation to the difficulty of finding a group of its kind in the city, so it's certainly appreciate the idea of \u200b\u200bthe organizers. The group itself, in front of a crowded but not fully booked, has proposed several pieces of their latest work, but without neglecting the sperimentazioni passate; in tal modo la proposta musicale è stata molto varia, sono state eseguite composizioni molto lente e melanconiche nelle quali il piano si poneva come primo protagonista, ad altre tracce più complesse ed elaborate, nelle quali venivano esaltate e mescolate le peculiarità dei vari strumenti riuscendo a creare una musicalità particolareggiata, lontana nel tempo e capace di creare situazioni suggestive e romantiche; ogni singolo elemento…. dal violino, al contrabbasso, al banjo e via dicendo erano tutti distinguibili nelle composizioni, si alternavano vicendevolmente e si accompagnavano a qualche lamento o a qualche attimo di silenzio riuscendo a ritagliarsi il proprio momento di evidenza. Canzoni quali Remembrance , Bow Spirit, and Settler Baleen Morning are in all respects to the music of Balmorhea in addition to being the musical evolution of this complex and have the advantage of being able to communicate with the music without the need of the words . The atmosphere created thanks to the melodies of the Texas group, has succeeded in attracting a diverse audience who listened attentively and appreciated the performance of the musicians and let himself be carried away by the music and win the group, who managed to evoke remote places of America as represented infinite spaces interspersed with grasslands and remote lands where the eye can not mai a vedere un punto di arrivo, dove i silenzi sono rotti da echi, lamenti e da rumori quasi impercettibili, immagini di una realtà lontana che viene rievocata attraverso la musica di questo gruppo. Un grazie di cuore al gruppo di Austin.

Per conoscere meglio i Balmorhea:

www.balmorheamusic.com

www.myspace.com/balmorhea

Carlo Kraskovic

Menorrhagia Fertility

Persian cats

Due ragazzi, lui tastierista e lei cantante, cercano altri musicisti per formare una band pop rock. Vogliono suonare le loro songs, to be successful, going abroad, maybe in London. So far nothing new. But if we put the two boys in a religious fundamentalist and dictatorial state, where those who do not play the music "permitted" ends up in jail for two or three months and you see the instruments confiscated, then the perspective changes. Ashkan and Negar are the protagonists of this Iranian film of 2009, which won the Special Jury Prize at Cannes. In their search for a band, the two encounter Nader, a talkative lobbyists who sells pirated DVDs for a living, and has much knowledge in the underground music in Tehran. Nader accompanies the boys (and us viewers) among winding streets and rehearsal ambushes, their research di componenti per formare il gruppo, e noi alla scoperta del mondo musicale giovanile di un paese controverso come l’Iran. Le diverse situazioni presentate sono sorprendenti, a volte grottesche, come il gruppo (che suona come i Mars Volta) che per provare senza rischi deve aspettare che un vicino esca a passeggiare; oppure i metallari che suonano in una stalla, tra il fieno e le mucche, perché non trovano altro posto per provare. La cosa simpatica è che per ogni band c’è lo spazio di una piccola esibizione, durante la quale il film si trasforma in una sorta di videoclip dove la musica accompagna le immagini della città e dei suoi abitanti. Tra una canzone e l’altra la storia prosegue con il tentativo di organizzare un concerto (ovviamente illegale) per raccogliere i soldi necessari al pagamento dei passaporti (falsi), unico modo possibile per lasciare il paese. Il risultato è notevole, soprattutto se si pensa che il film è stato girato in clandestinità, senza permessi (pare che il regista Ghobadi abbia corrotto con dei dvd illegali alcuni poliziotti, per chiudere un occhio durante le riprese in esterno). La videocamera spesso segue i tre protagonisti in stanze piccole e buie, attraverso scale e corridoi contorti, e vie piene di saliscendi e di curve, come a dimostrare simbolicamente la difficoltà del percorso di quei ragazzi che per un sogno si mettono contro all’autorità. I toni sono comunque leggeri, fino all’improvviso e inaspettato epilogo. L’urgenza represented and the musicians of Persian cats is the same: to show how you can resist those who would like to limit any freedom, and documenting this resistance through their work and commitment. They really believe in it. Although it may be surprised that someone has to fight and take risks to get what for us is rather immediate and helpful, we must remember that freedom is neither free, nor taken for granted. A film like this can help us.

Giuseppe Nava

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REFLECTION ON DISORDERED PARIS - THE TODAY

begin by giving explanations. I cheated, I know, this month I have not written any articles of cultural interest. I would simply share some reflections extravagant and disorderly, because I need to do so. I find myself in Paris, the city that I dreamed for so long, the city that have filled with the names and pictures, the city expects to search. I do not hide the embarrassment and the coup that threw me alone as soon as set foot on the sunny streets in late September. You look around and you're missing. The reality is indistinguishable from the imagination, the voice of Serge Gainsbourg you step by step as you walk through the streets heated by the coffee and glasses of burgundy crushed to the ground, because an old drunk barcollando ha urtato il cameriere. Dall'altra parte della strada una giovane ragazza con un berretto nero ficcato sugli occhi e un bicchiere di carta in mano, chiede silenziosamente dei soldi e riconoscimento, si rifugia poi nella metro, la casa dei topi, la fogna che ogni giorno attraversiamo insozzandoci di facce spigolose e occhi bianchi che fissano oltre il buio, scrutano l'orizzonte ma si perdono dentro i rumori assordanti di cuffie da i-phone. Montmartre riversa l'immondizia sulle sue vie, e la chiesa ammutolita è invasa da ballerini domenicali di hip-hop. Culti sacri del profano, turisti confusi nel seguire piantine con gli occhi all'ingiù, non si accorgono delle foglie che cadono dagli alberi ma cercano con spasimo l'immagine memory che corrisponde their tour guide for, promptly and photography. The river continues to flow, and the elderly "umarells" playing bocce calculating the geometry of the ball. The people you lose, you lose time, life is lost. Run fast, then you see a man who cries and gets consular see a man who has peed on him and he is alone. The city does not want them to show, but they will slam into the face of life. You have to watch them, we come in and forcibly resize. Everything is equally vain, the annihilation of reality as its brute force. Time expands and restricts the breath, the air is lacking in boxing daily rotating tin. The space is compressed in places apparently huge, but operates dell'ingengo human tended to reproduce a distance that is missing, and that is not found. All of life seems to take a more colorful and sound but dead for this ovattatto and protected, isolated from the mock social malaise but more fragile at the moment when they will come off the power. The whole world is dragged through the streets slippery chasing dreams that you want, do not know the pleasure than to take upon himself the power and will aborted very adherent to sleep. The man who thinks he is within himself, collapses. The man who runs after the rabbit is lost as soon as the lights go out, can not find the switch, staggers silent. The man in any dimension. Because more than a flat sheet of paper is folded abyss that feeds daily. The man is just, but not with itself. He looks around and is only.

Giulia Bortoluzzi

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St John in Leonardo

Getting lost in the long corridors of the Louvre, chasing slow the red carpet. The eye is naturally captured by that cosmic dark for a physiological question hidden in the hypothalamus. And slowly emerges the figure of John the Baptist. Appears at a time, like an epiphany. The eye trouble grasping it between the veils of the gradient of Leonardo. The rather fuzzy. The boundaries of the form that you lose nella dimensione. “Ciò che non ha termine non ha figura alcuna”, scrisse Leonardo. Il Giovannino appare in un equilibrio in dissolvenza, teso in un movimento a spirale che trova la sua realizzazione ultima nell'indice della mano destra. Gli studi di fisica di Leonardo sui vortici. L'angelo della Vergine delle Rocce .

Per motivi di sopravvivenza lo sguardo cerca gli occhi del santo che si scoprono fissare divertito, conscio dell'esperienza in bilico sul presente. Così si scende sulla bocca per sentirne la voce. E lui ride ambiguo in un trionfo illuminato di certezza. Monna Lisa.

Si scende cercando di seguirne il movimento, la spalla, la curva del braccio, e scopri un androgino del mito platonico that goes beyond gender. And it follows as it rotates upward, straining at the top of the spiral, explained that finger up to indicate what lies beyond. What you can not show or name. In the last moments of epiphany you try to grasp the details escaped in the crowd, upset by the magnetism, caught in the vortex of light physical: the thick curls, her body surrounded by a fur. Fades until the moment of revelation of a mystery concealed, and at the same time revealed, and with it the prophetic messenger.

Domenico Policarpo

Camera Inside Intercourse

LAST NIGHT

Last night the opening film of the Rome Film Festival, after much talked about is finally in all Italian theaters. Opera's first director Massy Tadjedin - American of Iranian origin - which brings to the screen the thirty-six hours of a couple in love with a film distinctly melodramatic tones. Michael and Joanna are a happily married couple, have been together since college, he designed the renovation of buildings, she tries to recover from writer's block after the success of the first book. The newlyweds live a comfortable life in their expensive apartment and modeled the perfect picture of a young bourgeois couple. Joanna, played by Keira Knightley surprisingly, during a dinner lavoro viene turbata dalla complicità del marito manifestata nei confronti di Laura, sua nuova seducente collega (Eva Mendes). In Joanna prende forma una profonda gelosia che la porta ad affrontare Michael, il quale le confessa l’innocente attrazione provata per la ragazza. La regista mostra particolare cura nel rappresentare il nido d’amore della coppia e impostando da qui le pieghe che prenderanno gli sviluppi futuri del lungometraggio, lasciando aperta la porta del dubbio. La mattina seguente Michael, interpretato dal protagonista di Avatar Sam Wortinghton, si reca a Philadelphia per lavoro in compagnia della bellissima Laura. In Michael nasce la fantasia di concedersi a quell’infedeltà accusata dalla moglie. Aumenta di conseguenza the attraction experienced by him to Laura. Joanna stayed in New York to try to write the book runs into Alex (Guillaume Canet), an old love. A moment and the passion again.

Last night investigates the matchmaking, shows two diametrically opposite points which create betrayals and lies covered by a veil of hypocrisy that seems to characterize the relationship. Joanna is faced with a failure to love and relive the passion by spending the night with Alex in the background of a fascinating New York guardian of the deepest secrets of its inhabitants. One can not help but notice the strong presence of the music of British composer Clint Mansell, which greater emphasis, through its poetic cadences, the entropy of the feelings, as the secret ingredient of this sublime film. Massy Tadjedin shows us the development of two stories on two different levels and reveal the intricate world of irrational relationship. The "balance" instead of Michael principles are threatened and tempted by the attentions of the handsome fellow on that side which proves to be more free, confusing the star and leads to a loss of identity. Here, the betrayal is centered by carnality as opposed to that of Joanna, which reflects the deep feeling, characterized by the impossibility of satisfaction. Exceptional cast and all at their roles, especially for the young Keira who beautifully embodies the role of prissy young wife forced to face the unpredictability of fate.

Alessandro Buzzi

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Let

Let is an intimate journey that guides us to knowledge of a vampire who is not given the usual representation of an evil being, but the image of something fragile and delicate. Here comes the need to choose a subject that in human life had not yet reached its full maturity and stability. Twelve years is the right age to describe this state of uncertainty. The main character is twelve years too long now the only thing I know is what is not: a girl. Living with a violent reality that does not belong, but to which there is no way out, but to stay in close contact with the pent-up nastiness of human nature, which becomes the impetus for her to continue to survive in this its repetitive existence outside of history. Let is also the story of the life of a twelve year old loner who tries gradually to create his own world, away from family and those misunderstandings with his peers. To This is why you hide inside of a friendship that has demanded and that it will slowly escape from his mundane reality. Let talks about the way in which two opposing entities, such as the white snow and the swollen blood, can meet and merge together in a cool and picturesque Stockholm.

Jade Ventura

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Happy Sunday dear friends, as I had anticipated this month I am dedicated to reading "Zen and the Art of Motorcycle Maintenance by Robert Pirsig. My child was left excited, I had heard about it at the time of my youth, when he represented a real cultural phenomenon, and so I decided to try my hand in this enterprise. I must admit that is a very intense book for the strong autobiographical component, really interesting and worth reading, although I could not feel his enthusiasm. The reading was very difficult as most of the book is philosophical and not so easy to follow. Interweave various plans in which the theme is the journey, a journey on a motorcycle that makes the protagonist and his son, describing an America on the road from Minnesota to the Pacific. The trip is an opportunity to relive their past through a series of flash-bakes, how to relate with his son and himself, to represent their ideas by developing a metaphysics of Quality. Everything starts from an observation seemingly trivial because there are people who personally supervise the maintenance of your bike and others that the delegate to the mechanics? The maintenance of the motorcycle becomes a metaphor for the qualities that can overcome the dualism between subject and object, between the individual and technology. We carry the address of two interesting reviews if you want to know more about: http://leggerelibri.wordpress.com/zen-manutenzione-motocicletta/ and http://www.cittadigenova.com/Verba-Manent/La-recensione Zen-The-Art-of-el-11452.aspx. After this reading, considering the time not easy work, I could only devote to something much simpler. Ultimate "The Three Musketeers" I went to "Today" where I have to say I felt a real relief to throw myself in court intrigues and adventures light years away from metaphysics and philosophy ... Best wishes for now, I do not know if I'll be with you for Thursday because I was enlisted into the office all week for the budget business, hopefully good ... Rosa

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Free For All

Tomorrow evening, Monday, Nov. 15, at 21.15, the fourth Mori Tatro, there will be an evening in favor of multiple sclerosis, with the European Association of Dance and choir Springtime presenting various pieces of music of the Beatles, Queen, The Police and many others.
Personally I will go, because the choir sings Roberto Elia, Veterinary USL and wasted time backing vocalist, who told me about his passion. If anyone is interested tell me it would be better to call the box office Tatro to inquire if there are places.
Good Sunday! Gloria

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UNIVERSITY VIA!

This exclamation is currently far from unusual: Many students decide to leave the course because of academic curricula that are not very specific because of the lack of materials characteristic. We are attending a university dispersive, that does not always provide adequate preparation. What happens upstream, because the degree can not be at the height of the training? Speaking specifically of the University of Trieste, it is one of the universities that exceed 90% of the relationship between the Fund and Professor of Finance salaries in short, has financial problems. For years now, the contests are rare, and the situation will be brought to the limit by new cuts to education, because of which you can not ban the competitions. This is a serious problem: many of the subjects of the degree courses are required from older teachers who, once retired, would not be replaced. Given that teachers are increasingly common and that the University can not afford a huge number of faculty members, for the provision of training was based on the availability of researchers, who are not actually required to teach, but may decide to do it to share with students their research. Currently, many faculty, researchers are used to teaching to meet the educational offer promise of a faculty that can not provide. Thus, as the Gelmini bill would take away more money for research and ignores the criteria of meritocracy (that would be useful instead to reduce University waste and reward the most productive researchers, while penalizing those who do not publish anything), the researchers decided to stop teaching for the current academic year, until further notice. The result was an uproar: the teaching and curricula are in disarray, many courses have been canceled and no one knows yet how they will be recovered. So the whole university has symbolically suspended for half an hour each teaching activity "to invoke the collective attention on the questions raised by the university reform," while School teachers who have more researchers who have decided to stay for the entire teaching days, in order to avoid that half of the courses start and half not, and in those days, arranged meetings information about the decree. The Department has been more active than the natural sciences, physics and mathematics: it has suspended teaching for two weeks and then presided over the Faculty for eight days, Margherita Hack invited to a conference to attract the attention of the organs' s information on the protest. The excellent result was obtained that the Department was discussed the document presented to the Rector, which called for greater student representation within the governing bodies of the University and a symposium for all Faculty jointly develop guidelines for a possible reform alternative. Also in those days, students and researchers of the Department have published a video on youtube to disseminate the reasons for the protest. Instead Humanities in support of the researchers suspended the teaching 11 to 15 October in those days by organizing a series of seminars and meetings open to the public regarding the reform of the University, alternative courses to those provided for teaching, and various of which the most notable was the reading of the mass in the square unit. Thursday, October 13 In fact, fifty students took to the streets with a book in hand, reading aloud in the crowd, thing that has surprised and intrigued passers-by. Those who stopped to ask the reason for this gesture, the students gave information about the university reform. The same day, to give a strong message to passers-by, the three statues of the authors Svevo, Joyce and Saba were covered by sacks of blacks and cartels retain the right to study them. " Monday, October 25, students got to attend the Faculty, and have made requests through a letter that demanded clarity on the part of professors and the Dean on the protest (many teachers have continued to take lessons even if the courses were suspended, and has not done anything to avoid it) and a commitment by professors of the courses required to recover improperly. In the next few weeks the students of Arts will organize other activities to raise public awareness: you start with the re-reading in the square, where everyone will bring a book and begin reading aloud to walk. The next will be held Thursday, October 28th from 17:30 to 21:30 in the unit square. Come along! Whether Orwell, Miller or Raboni, we must keep close study of the Faculty.

Alessia Dagri

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Portsmouth to FORT-DE-FRANCE

The imagination can help to a certain point, but the feeling of waiting aumenta nervosamente più ci si avvicina al porto. Poi basta arrivare al cancello al di fuori del terminal, esibire i documenti, seguire le linee gialle che indicano la via verso l’imbarcazione tra un labirinto di pallet, container e gru… e ritrovarsi a risalire una scaletta metallica che porta dalla banchina fino al ponte di coperta. Primi saluti e prime presentazioni di rito e poi si comincia la rampa di scale tra i vari piani che portano alla cabina con vista sulle stive e sui container antistanti. Bisogna un po’ prendere le misure ed abituarsi, il cambiamento non è da poco… Letto con protezioni in legno anti-caduta, divanetto, un tavolino, una sedia, un armadietto metallico e un appendiabiti, tutti combinati in una stanza di tre meters for two and a half.

The pace of life on board is divided into rigid work hours and schedule, working six hours in port and so no six hours, after starting the other hand, the shifts are applied to "normal" and then the sailors have time to rest (barring unforeseen circumstances such as storms or damage to the motor). The abandonment of land and the gradual departure of the coast is a strange feeling because they are missing the point of reference. More and more you go west you dive into the blue and its shades vary continuously depending on time of day and weather conditions as you move away, diminish the chances of contact with the mainland then we remain fully engaged by the life and activities on board, breakfast by half past seven to eight and a half, lunch from noon to half past eleven and a half, and dinner from five and a half to six and a half, all organized in a way that to afford to eat depending on different shifts. In the evening, for those not working, it's time to watch a movie, read a book, smoking a cigarette, being in the company closed or simply sit in the cab, then the night trying to sleep but the beginning is not easy, waves, vibrations and noise of the engine room can be felt up to the upper floors and sleepless nights follow each other to get used.
are many nationalities on board and also reflect the roles and hierarchies on board, the officers are Russian, the European captain, while the remaining Filipino crew with the exception of students who are also European. The division between nationality emerges from the areas dedicated to dining and leisure, the officers on the one hand while the other part, thus creating a kind of segregation within the crew. Each group has its own way of communicating: the Filipinos are more sociable, they're always together, listen to music, sing karaoke and have just arrived in the port can not wait to see a little 'people, the Russians on the other hand are more introverted, speak little, and usually take more time to open and the Europeans eventually end up spending the evening with the Filipinos.
As the days passed we know more, and it shows that everyone has their own way of interpreting his life at sea, and who does it for passion, who does it because he has no alternative and can not wait to return home, those who do not have money, who can not get a contract for less than nine months, but those who aspire to become captain at age 31, who is the first trip and every time he happens to also suffer from seasickness, who abandoned aircraft for ships, who is expecting a couple of years to navigate and stop people like me who is just on vacation. Ultimately, what unites all these people is sea, they help each other and try to live a better job at times is not easy.
After the sea and the sky repeatedly for eight days and eight nights you approach the island of Martinique, and he dives in its tropical climate and its color that contrasts so much with shades of blue. Earth!

Carlo Kraskovic

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JANIS JOPLIN: THE MEMORY OF SUFFERING BLUES

"Buried Alive in the Blues." This is the last agonizing cry that forty years ago, Janis Joplin left written on his grave. Recently the great history of '60s rock had witnessed in disbelief at the death of Jimi Hendrix, which occurred just ten days before the death of Queen white blues. America hippies and lovers of rock music suddenly found itself without its major pillars that had led to the summit of a universal living history today by millions of young people looking for a new contact with that revolutionary past .

Janis Joplin, the restless angel on the stage of his life, was found Oct. 4, 1970 in a motel room in Hollywood, who was killed after his last dose of heroin, his faithful companion in the decision on his daily life frustrating. These were the years of hippies, the search for peace, the fight against social dogmas, against war and repression human, was the rock upon which unconsciously roots had revolutionized the common sentiment of an entire population of young people adrift, nurturing their dreams and ideals for the discovery of a better world. Janis was part of this crowd. Caught in the reins of his past, leaving the Texas at the age of 17 years to realize his dreams, guided by the myth of Bessie Smith, his way of life.

After the first performances, he settled for a few years in San Francisco in the early '60s, this will become part of the group of Big Brother, which at that time were seeking a female vocalist and chose her for his skills already widely recognized. With the merger of acid-blues band and the personal style of Janis, California opens the door to the most impressive voice in rock history. He had a scratch

yearning, a blend of honey and rust that was crazy about the American people with his unique interpretations of blues and heart-rending. Success comes with the first disc Big Brother and the Holding Company , which marked the turning point of his career in the exhibition in New York, well received by critics. He left the group to pursue the life of a soloist and in 1968, the protagonist of his second album, Cheap Thrills : will open the doors to success not only music, but universal to the point of being considered a sex symbol of those years, putting the same image conquered by the extravagance of Jim Morrison and Mick Jagger, Janis will be considered a defeat of beauty, a perfect image of those precious years. Success, recognition, public and music were his strongholds in the ominous whisper of his despair, Janis Joplin sang his constant condemnation by the most poignant notes of an exciting blues, he used his voice as a weapon of defense for his shyness, sought relief and peace in drugs and alcohol, the faithful witness of his defeat. Woodstock had the honor to have her as a goddess on the stage of ideals, conquered by the divine power of her voice in the verses of Piece of My Heart, his forte, interpreted as a cry of war and then became landmark event in memory of '69.

was considered the greatest white blues singer, the critics went wild for his stamp, the young emerging singers chose it as the emblem of their goals, so Janis Joplin has conquered an entire generation, shouting to the world her despair without asking anything in return, without expecting help, without looking, quickly dragged itself on the threshold of a premature end, leaving his home without making too much noise at the age of 27 years, dying on the steps of his loneliness and leaving one of the greatest masterpieces in the history of rock: Pearl , His latest album, bearing the name that gave her friends to show her purity of soul, polluted by the excesses and incomprehension, alcohol and drugs, the false morality of society and herself. His body was cremated and his ashes were scattered in the ocean along the coast of Maryn County, as a symbol of his final release. His charge has been brought forward in honor of his memory by the great blues-rock figures come after her, still remember it and choose it as a model, from Patti Smith to Annie Lennox.

Francesca Schillaci

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SECOND MAIN - OR THE REVENGE OF THE CHINA

Paris. Art. This is not the Louvre, even the retrospective of Jean-Michel Basquiat or Larry Clark, is not the FIAC (International Fair of Contemporary Art) as even the exhibition dedicated to the Pompidou Arman. Second Main is a brilliant idea that has refreshed and joked the halls of the Museum of Modern Art the City of Paris. This is a show of false copyright, or better than true-false artist. Anne Dressen, curator of the exhibition, installed in the museum's permanent collection, a series of remakes, copies, revisiting that point, in an uninterrupted cycle fantasy, the fetish which originally took inspiration, the what is not said is the original model of himself. Well, a bit about rilfettiamoci. In fact, what idea or artifact (but not only art) is so original in itself can be completely detached and without reference to something that has been before, and it will be next? Who is essential? Is there a father-mother independent of any determination, not only visual, cultural or even political, floating alone in the artistic unaware of the existence of others? It seems that the answer sought is not. Second, at least according to Main.
Pablo Picasso said: "Il n'y a pas de faux pas on n'y a que des faux," and Salvador Dali: "Those Who will imitate veulent jamais personne it créent rien". Apertura maggiore, oltre la visione che considera falso ciò che somiglia o tende verosilìmilmente a un modello considerato unico e primo. Questa mostra non fa altro che stimolarne la riflessione e porre un problema, non vincolato al passato, ma legato al presente delle nostre vite, quelle di tutti i giorni. Insomma, esisterebbe creazione artistica senza la copia?
Sappiamo come, soprattutto a partire dagli anni Sessanta, l'aura sacra dell'opera sia andata progressivamente svanendo, e come numerosi siano stati gli esempi concreti di contestazione contro l'idea di originilatià o di autore. La società ha smosso la sicurezza di chi aveva trovato il potere di creare per poi scoprirsi nient'altro che copiatore di ciò che da sempre is chased, art. But we can take it further. The same copy considered bogus, can not itself be an original? Although it may look similar in appearance or in the idea, the false is inevitably unique. By establishing a certain distance, an abyss, almost imperceptibly to himself and the source, it opens another dimension, a different language. It seems that in this rewrite of the identical, the introduction of small but deep ruptures, it can also embody an author and social collective.
The problem of copies, to think of it, it becomes topical disconcerting: you can easily buy the collector to Dr. Girardin a Modigliani, not quite emerged from the hand of Amedeo. I falsi si installano nel corpo sociale ed economico come bacilli di virus che possono esplodere nelle mani dei più ricchi, provocando la beffa oltre il danno. Possiamo intravedere allora nell'attività di questi copisti, anche una critica politica e filosofica al mercato dell'arte, all'egemonia di un qualcosa che in realtà non è riconoscibile. Basta una firma ad autenticare l'opera? Se sì, allora che tipo di rapporto stiamo avendo con l'arte? Forse, nell'età della continua riproduzione, sono proprio i falsari a preservare un'originalità, una reinvenzione e rigenerazione?
A Second Main trovate, per esempio, un esquisse pour les Demoiselles d'Avignon di André Raffray che ovviamente rimanda al celebre quadro di Pablo Picasso; sempre di Raffray merita la Broyeuse de chocolat N°2 de Marcel Duchamp, Interrompue. Imperdibile è il Modigliani di Elmyr de Hory, personaggio esemplare nella storia dei falsi, immortalato dal grande Orson Welles nel film F for Fake. Interessante è il lavoro del collettivo britannico formatosi nel 1968 grazie a Michael Baldwin, Art&Language, che rimette in questione la modernità fondendo in una pratica collettiva e quindi anonima due stili opposti: il realismo sociale sovietico e la dripping di Jackson Pollock. Vi sono poi numerosi esemplari riconducibili alla Pop Art, come le riletture di Sophie Matisse delle opere di Roy Lichtenstein; la celebre NOT Manzoni (Merda d'Artista, 1969) e il NOT Warhol (Brillo Boxes, 1970) di Mike Bidlo. Lo stesso Maurizio Cattelan è presente come falsario con la sua Joseph Beuys' Suit (nella foto), allusione alla grandezza dell'artista e alla mitologia dell'arte. E molti altri ancora...

Giulia Bortoluzzi

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SOSIA ARTIST OF MO YAN

Il grande drago rosso si è risvegliato. Divenuta locomotiva economica mondiale, la Cina turbocapitalista è artefice e while victims of the greatest migration ever took place in the world. Millions of people are leaving the heart of the country because of poor farming villages to reach the vast and chaotic city. Industrialization is wiping out the old ways, changing the rhythms of a company with a long tradition, to make way for a lifestyle that will be increasingly influenced by Western economies matrix. We rely on writing one of the largest contemporary Chinese authors, Mo Yan, in order to better understand the tradition that the immense population of Beijing is likely to be lost in a maze of concrete and factories. Reviewing briefly the life of Mo Yan - born in 1955 in a remote and poor village of Shadong - We can observe that after the Maoist Cultural Revolution, the young writer has tried in various works: the herdsman, the factory worker, and last soldier in the army. Over the years, however, Mo Yan has never abandoned his passion for literature, composing stories with feverish persistence. His major work is Red Sorghum, a great epic story that takes up the stories and legends of the Chinese people - transposed to the big screen by director Zhang Yimou and winner of the Golden Bear at the Berlin Festival in 1988. Affected, according to the writer, from Faulkner and Marquez, we also note that Mo Yan is the founder of a literary movement known in China as Search of Roots. Thus, it The man who bred cats we find characteristic of the Chinese pen. First, it appears that the search for a lyric writing, able to evoke a primitive nature. And yet, in this text we find the legends and stories as a real search and peculiarities of the writer. The combination of the natural with the legendary gives shape to a "fantastic realism" where reality, sometimes violent, is veiled and softened by the magic component. Is it irrational element, which flows almost nell'onirico, not to allow the reader to determine whether the story told may be true or likely. An example We find this style of narrative vividly in the story that gives the title to the collection, The man who bred cats , where, in an archaic and rural China, a boy is capable of strange and mysterious charm and dancing to the her cats. But this "fantastic realism" is present in all nine stories that make up the collection published by Einaudi , where you can hear the voices of a Chinese original in Mo Yan was able to hear sounds.

Domenico Policarpo

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LIBRARIES

Among can-can dancers and other adventures do not come from the magazine is banned in some gargantuan collections such as paper and cathedrals Rising pace. How not to stop to peek behind the opaque glass case, in addition to the books on display, and extend the curious eyes watching. As long as the courageous hand pushes the door firmly and with bold appearance it crosses the threshold in that place full of wonders. There are libraries and bookstores, and without a reckless form of snobbery free, there is no doubt that there is dust and powder, pages and pages. And now some places, perhaps a natural mystical dimension given by fate, they are repositories of extraordinary men and crossroads or simple porters that contain in their three-dimensional alphabet of human knowledge. And then there are these dots on the globe, gaunt and distant, but present over time, mindful of what was at Alexandria - the smoke still wander like a restless spirit. So I the elegant Paris to Shakespeare & Co. has taken the form ' Joyce's Ulysses, thanks to the talented Sylvia Beach that gave way to that legendary charm all collialti the Left Bank. Among the tulips and windmills instead, in the city of Maastricht is one of the finest libraries of the world sort relining a Dominican church of the thirteenth century. If we cross the English Channel and arrive in the land of Albion is a must drop in at Daunt Books in Marylebone High Street, a bookstore specializing in books set in a local chatwiniani in stile edoardiano. Spostandosi poi nella penisola iberica, nella bella Barcellona, troviamo in Calle Elisabets 6 La Central del Raval , nella zona storica della città, dove si ritrovano giovani artisti. Una delle più antiche librerie d'Europa, costruita nel 1869 è la Livraria Lello a Porto, in Rua das Carmelitas 144. A Trieste, in via San Nicolò 30, Umberto Saba acquista e forgia la sua Libreria antiquaria (nella foto). Al suo interno sembra che nulla sia stato ancora spostato o messo in ordine. Pile e pile di tomi, libelli e volumi si susseguono instabilmente con immenso piacere di Bouvard e Pécuchet. Per concludere, oltre Atlantico, nella libreria El Ateneo di Buenos Aires still hear Borges speaks of his love.

Domenico Policarpo

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The art of not angry

I wanted to give to our meeting last Thursday the title of the essay that Seneca has given us Marisa. I believe that reading literature and our tea we strengthen much in the difficult path towards that goal, that is not to be angry, to take the right distance from the small newspapers big trouble, enjoying the "privilege of thinking." It is not easy, but let us try, come on. Always
Marisa returned to the theme of "Ecstasy culinary" (Marie Barbery), introduced last time by Lucia. This is a man who knows he must die and tries to find the taste that struck him most in life, from childhood. Do not miss! The author is the same of "the elegance of the hedgehog."
Rosa has completed its comment on the book of the fall of the Berlin Wall (whose exact title is in previous post), very interesting in some ways unfamiliar to most, that revolved around the event, such as the position of Gorbachev and Reagan.
Further reading: Elisabeth George: The best revenge and The Solitude of Prime Numbers, of Jordan, of which you will find the comment in the previous post. Still
Stabat Mater, Scarpa e.. Surprise! The Three Musketeers by Dumas.
the series: a book for the various moods and environmental conditions (calm, concentration, quickly obligations and commitments, etc.).
Cristina has presented us with "The Child of the city ice" Lonnaeus Olle, Swedish crime writer.
He talked about how even exist in the evolved Sweden creeping feelings of prejudice and racism (or at least sense this from the book, given our poor knowledge of Swedish society ..).
Grace, who finally came back with his verve, has updated us on the work of his new home, we're curious to see and admire that already have seen it before. He recently read the beautiful book of Dacia Maraini "The long life Silent Duchess", offering us some books of Oriana Fallaci who in The Courier are raising newsstand.
Lucia, last but not least, has not brought us literary news (on the other hand had a beauty treatment to her already beautiful natural blond hair), but has left us a brochure with a number of titles offered by Mondadori for the month of October and several events cultural.
I'm reading again, very slowly due to lack of ability to concentrate, the splendid war and peace, a novel of love and pain, yearning and big dreams, men and women only.
At the same time I read about Elisabeth George "And deliver us from the Father."
I thank you for the beautiful afternoon I went, hoping to continue our journey together ... Gloria

Inexpensive Wooden Fingerboard

Readings

Hello dear, a quick update to last dip before our meeting tomorrow. I finished "The Year that Changed the World" by Michael Meyer of which I had talked about last meeting. Really interesting though not easy reading, I had to take in small doses! The subtitle "the untold story of the fall of the Berlin Wall" is already understand the argument that we are all aware, but actually know very little. I continued with our Elisabeth George "The best revenge." I then drag to the left reading "The Solitude of Prime Numbers" since its resounding success I was curious. What can I say? The idea of \u200b\u200bprime numbers together, yet infinitely distant is certainly interesting, as well as the language is changed in the evolution of time, the book reads well and the author, whereas he is young and is not an expert, still unable to trace the lives of the characters very well with a psychopathology. It is not a novel that has impressed me, a good start, but you lose, the players have not been able to charm, beyond the description is not thick, the other characters non sono particolarmente approfonditi, il finale aperto lascia un pò perplessi. Alla fine mi è rimasta solo un pò di tristezza. Comunque come sempre è un'opinione personale. Ben diverso secondo me un altro vincitore del premio Strega, "Stabat mater" di Tiziano Scarpa. Il genere è completamente diverso, è un libro non facile, ma veramente molto bello che vi consiglio caldamente. Scarpa descrive con maestria una storia ambientata nella Venezia del '700 nell'ospizio che accoglieva i bambini abbandonati. La protagonista è Cecilia, una ragazza di sedici anni che, attraverso un diario epistolare rivolto alla madre che non ha mai conosciuto, racconta la drammatica ricerca della propria identità. Il violino è la sua voce ed il way to be a person. Cecilia is not easy for that long walk on the edge of madness and obsession with death, but slowly manages to come up with music and especially the meeting with a music teacher (do not tell you who is but you will understand just by reading the book). See you tomorrow. Rosa

Rodney Moore, Kara Davis

See you on Thursday 21 October October

Dear,
I apologize if this month I did not write the summary of last meeting, I spent a hectic time to say the least ... I had also lost the notes I found only two days ago. In short
cite the titles of which we discussed in September:
Coe: The House of Sleep; Tolstoy: Childhood Adolescent Youth, Elisabeth George: And deliver us by Father R. Harris: Pompeii Baricco: Emmaus, Michael Meyer: The Year that Changed the World, Muriel Barberry: culinary ecstasy.
After intensive reading of the first 800 pages of War and Peace, made possible by travel alone, in 3 weeks at Livorno are able to read just another 100. In fact, the novel requires a great stillness, silence and a certain detachment from the great little everyday problems. In bed at night I can find the right atmosphere, but a little before I go .. Susanna
My neighbor lent me yesterday, "And deliver us from the Father" and I dived into the new reading, without abandoning the first.
Recently I had the wish to re-read "Parallel Lives" of Plutarch and of Eugenie Grandet Balzac, propose them to you right now to read once in a while something together. We will decide on 21 of course considering other proposals.
Then I wait for our tea! Grace, I hope to see you. A hug to all
Gloria

I Cant Find A Registration Card On Wii

War and Peace

Dear friends,
first of all I must say that I spent a week of charm in Corsica, Calvi. I rented a studio near the ocean, very small but functional, with a little garden where we have lunch. In the residence there were few people, just enough to not feel alone, but with a great calm.
the morning I did the walk on the beach (9 km to and fro) for the afternoon scuriosava villages, ancient churches and so on.
No televisions, for one case, the bag of the sea, I had a radio that has made us much company. I found the programs interesting and enjoyable (on radio 1, the only station who took Italian). And finally, I read, read, read 800 pages of War and Peace .... beautiful. After a slow start (for me) the novel began to take and has contributed to the pleasure of the holiday. So much so that now the associate Corsica Bolkonski to Prince Andrey, Natasha, Pierre, Nikolai, and so on ... only you can understand me!
See you Thursday, October 21. Hello, a hug to all
Gloria

What Is The Correct Treatment

FANTASTIC ONE DIMENSIONAL KUBRICK

It should not surprise that a director like Stanley Kubrick is an exceptional photographer also a penetrating and enjoyable as it is revealed in the images on show in Venice at the Venetian Institute of Sciences, Humanities and Arts Instead, one is annihilated and pleasantly caressed observing the profound lightness with which Kubrick portrayed the reality of postwar America. The exhibition, curated by Rainer Crone, presents to the public two hundred unpublished photographs taken by the young between 1945 and 1950, published al'epoca Look for the magazine. It Kubrick portrays the reality that thanks to the photographic medium is definitely a symptom of his future directorial sensibility, welcomed the research conducted at the boundary between fiction and reality, by the crack of ambiguity that enchants the eye and mind. Click clean, black and white, direct naturalized subjects as possible. Sequences, spy stories through a lens, caught in the daily lives imbalance clumsy and sweet. The eye of the alienated and alienating young Kubrick already reveals his personal reading of a really inconsistent and disorienting, but for this very fascinating. What intrigues and he lives in the spirit of the photographer is careful exploration of the subject depersonalizzazzione, of the posting made by a photographic filter that, paradoxically, a free cartridge of truth. Eight sections clump shots copyright, chosen from the twelve Conrgess stored at the Library of Washington and the Museum of the City of New York. The tale of a shoe (1947) humorous and moving tale image of a small country boy trying to earn some money shined shoes of passers-by, here Kubrick takes us on American roads populated by hot dog vendors, peddlers, in search of a dream of freedom in thought tasted. The circus behind the scenes (1948) which has a large sequence of snapshots in the camp of a traveling circus, with animals fierce, the tightrope walkers, trapeze artists and the fat lady. Portraits marked by attention to detail, built on a stretched beyond belief and therefore of reality itself true. A novice rampant, Betsy von F ü rstenberg (1950) that captures the young actress in a variety of mundane situations, as if the camera was following the hidden (but not too much) in his extraordinary everyday. Columbia University "exclusive" in New York (1948) , Michigan: an ancient university in the Midwest (1949) , offering both shots in an academic setting, but creative, unique footage of events, so unique as to break the distance between the viewer and the photographer, to merge it into one with the image. Mooseheart, the city of orphans (1949) brings together the faces of young children caught in their naive freshness and direct honesty. 1948: the new wealth and new horizons of travel (1948) is perhaps the collection refers to more shootings, two lovers portrayed in different "set" romantics who unexpectedly give ambiguous faces and looks alert, that leaves us on the question marks more or less predominant presence of the photographer. Ironic and quiet stamp imprinted on the film Kubrick gentle, that does not betray the expectations of the beholder with admiration. Hot Dixieland Jazz (1950) Portrays jazz musicians in the dance halls in the city. Pleasant atmosphere and warm sound. Crimes (1949), intrigues the eye in the sequence that chases the fleeting gesture of a policeman armed with a gun that pulls the weapon from the pocket of the raincoat. Show definitely not to be missed for all lovers of Kubrick and beyond. Amazing. Visitability from 28 August to 14 November 2010 at the Institute of Sciences, Arts and Letters, Palazzo Cavalli Franchetti. Open daily from 10:00 to 19:00, € 7.50 reduced for students (which is pretty but it's worth it), for all the other 9 €. For more information and to un'antemprima of what awaits you visit www.mostrakubrick.it

Giulia Bortoluzzi