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perfetto sulle labbra…

... burning a drop of tears rushing

framing eyes a cruel word orphan

scratch a picture on the edge of the lashes

clings curtain dropped on the ground groaning

reel fingers in the beating senses

air torn wrist of a breath ...

silent screams powerful sound in the mouth

perfect lips ...

... as if they had put them in that moment

them ... just for me

© nico

February 25, 2010

photo Lester Lee

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De Chirico - THE SILENCE OF ENTIRE HUMANITY

Un pittore della metafisica, uno scrittore surrealista, un genio accademico dell’arte scientifica, ma anche classica, il genio di Giorgio De Chirico e le sue rappresentazioni esistenziali sono state presentate a Trieste il 3 dicembre 2010 fino al 27 febbraio 2011 in una mostra interamente dedicata al suo percorso artistico, presso il Castello di Miramare . L’esposizione di opere e schizzi, foto e immagini di vita del pittore, hanno tracciato un percorso lineare lungo tutta la mostra, allestita in tre piani, seguendo l’evoluzione dell’arte di De Chirico, dagli inizi, al massimo sviluppo, fino agli ultimi anni della sua professione. Attraverso la mostra, si percepiva il messaggio an authentic and original majestic silence, this absence of noise that De Chirico has chosen to elevate as a spokesman for all his art on canvas dummies with the meaning, oracles and temples. From the first part of the exhibition noted as De Chirico was not just a painter of geometric cuts, but with a more classical painting, wanted to represent and convey the intimacy that characterizes the individual, the feeling that predisposes the human soul to its staff introspection. De Chirico painted the interior, like the nostalgia of a landscape, the anguish of a farewell, the sadness of a recall, either by nature or, in his pictorial evolution, nell’immobilità di oracoli e manichini senza volto, che richiamavano il senso profondo di quel Maestoso Silenzio . La scelta di precise immagini e personaggi, rappresentati in opere come I mobili nella valle , Le muse inquietanti o Piazza d’Italia , tracciavano un percorso coerente da parte dell’autore e ne svelavano il messaggio originale, quasi provocatorio, dato da rappresentazioni che descrivevano alla vista la sospensione del tempo di oggetti lanciati dentro una dimensione metafisica, al di là del visibile, in una sorta di non – tempo, come le piazze, normalmente considerate luogo di ritrovo e di vita pubblica, con De Chirico assumevano il ruolo della desolazione, of emptiness, of loneliness, the same way cabinets and chairs stationed in a desert landscape, where there can be any form of life, except items of furniture covered chamber. It is intentionally a sudden crossover between past, present and future, which makes the viewer a visual destruction, a sort of existential destabilization in the projection of looks suspended, but at the same time is a reality around us.

the devastating condition of contemporary man, in his individualism, forced and sick, the loneliness of the individual who is not

ransom or response in the society in which it is inserted in his community. Through representations horses for battle, the characters fight in the Iliad and oracles majestic, De Chirico revealed to the public and the individual message emotional anesthesia, loss of sense of struggle and victory, which was replaced by an absence of existence, human , perceptible only by the metaphysics of meaning, where to look beyond the visible symbol of redemption, something that reveals and resolves the uncertainty of the individual in his new state of silence. It's easy to confuse this kind of art with the surrealism of Dali and Breton, which, however, although very close to metaphysical thought, chose to represent worlds and surreal dreams that transcend the dull reality, in their surrounding De Chirico, invece, sceglie di rivelare, schematicamente, la deformazione esistenziale di cui si è vestita l’intera umanità, sprofondando in silenzi massacranti; una visione autentica e ancora riscontrabile nell’uomo dei giorni nostri, dove la singolarità diventa la tutela personale di ognuno, dove un manichino diventa il simbolo dell’essere umano, senza espressione né reazione, e dove l’inerzia e il senso di abbandono si elevano a inno di precarietà.

Francesca Schillaci

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MAJESTIC BLACK SWAN THEORY

recently in Italian cinemas, Black Swan appeared for the first time in the United States in 2010, directed by Darren Aronofsky (Requiem for a Dream see ). Black Swan is one of those movies that creeps into your mind and takes you down the street on the way back from the cinema. You take it back like a train that is naughty entangled with each step on manhole covers. You wonder why you can still have before me a classical dancer pirouette that dramatically

upon himself. All black. Let's start from here, from black. Black is a Dionysian swan, the swan feels upon himself all exhausting the strength of the passions. Black is the swan that lets you take the greatest enthusiasm or the most devastating despair, knows no shades, so it is black. Receives only the intensity on his skin. The swan is white instead of the pretty bird feathers from the graceful and well-combed, order the space around him and you let yourself be massaged by refinement of the lake. White Swan Black Swan and be living in the same, like two sides of one coin, dark and light. This is in fact the intention of the director of the New York City Ballet Company

, played by Vincent Cassel, who wants to restore glory to his theater revisiting the famous Swan Lake by Tchaikovsky. In search of swan dancing to withstand the tension and exhibit none of passion and reason Cassel addressed his interest in the candid and almost virgin Natalie Portman, Nina said. The dancer, with an exceptional talent and rigorous study of dance, but fails to be invested by forzeirrazionali the black swan, but it feels close. For a while, it loses the pretty light and with an act of controlled violence attacks the nervous because the director can not take the role. Start to leave the force. So Nina is chosen interpreter of the white swan and the black one. The pretty young leaves become ever more deeply from the dark forces of raven feathers and play his role to clear the barriers that separate the potentially unreal.

Start the loss of the limit of the self, the psychosis begins (so called). Start the folly of those who are open to life, someone who can not be but vivendosi to the extreme. Although the risk of falling into the abyss below, the man who suffers suffers to live, love life and acceptance even in its largest death drive but at the same time pleasure. Hallucinations, physical violence, masturbation. Nina is unable to separate what lives within him and what he is experiencing as a black swan. His life has no boundaries that protect the art from the blaze. Feels for the first time this sublime power, the dancer goes to visit the darkest places that challenge within itself.

Raid absence of meaning, the breaking of imperfection. Imperfection that lies in the technical perfection that lives in the error of getting involved to perdition. Complete fusion between art and life. Fusion that sometimes can be perceived also in film. In fact, sometimes one gets the impression of an opera within the opera. The music is exceptional, and photography by Matthew Libatique come to gather the most shaky nervous excitement. The Black Swan shoots off the screen spinning as an irresponsible animal passion. We would like stun and confuse. Who knows. The final film is a dizzying crescendo that pulls the skin, narrows his eyes and down his stomach. Even the audience begins to lose the barriers that separate him from his sediolina red. Begins to pirouette pirouette pirouette louder and louder, until the leap of faith that draws him. The black swan is there. Black died. Vive.

Giulia Bortoluzzi

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STOCKHOLM FINNISH AND T-SHIRT

Stockholm is my town. Love was born in 1994, a lightning strike, a love hidden for many years. One day 16 years later I decided to do an inspection to observe the situation in Sverige general of the city. I got there and I felt immediately at home. I arrived in Nyköping, and from there took the bus to the city center, in the Norrmalm. At first I was quiet, I took a turn for the Gamlastan and there was the greatest emotion, a view of the pier (Gamlastan is a small island located between Södermalm and Norrmalm Mälarem overlooking the lake in a westerly direction). The view was fantastic, I looked down to the lake to my right is the Italian-style town hall with the three crowns on the tower symbol of the country - wonderful - and on the left a rocky wall with colored houses. After Gamlastan, per un attimo, attinsi al Sodermalm dove mangiai al McDonald's. Era fantastico, anche se mi sentivo distrutto perché era sera e la notte scorsa non avevo dormito, tanto che al momento di pagare, invece di pagare 60 korone diedi alla cassiera 600 korone, che sarebbero 60 euro. Fu una risata generale e dissi alla cassiera che avrebbe potuto approfittare di me e rubarmi tutto perché non avevo dormito l'ultima notte. Lei sorrise. Il giorno dopo potevo praticamente già gettare via la mappa. La maglietta finlandese, che utilizzavo per girare per l’arcipelago, riscuote successo subito, infatti già il primo giorno mi fermò un gruppetto di ragazze le quali mi gridarono: Anteeksi! che in finlandese significa scusa (le ragazze facevano “colletta”, was a kind of bridal shower). Walking through the center, I step in front of a boy who greeted me: Tervo, from time to time I heard people shouting something in Finnish friendly, and a gentleman stopped me and asked me what makes a Finn in Stockholm. One of the objectives was to see a moose in Stockholm, which is probably one of the most fascinating animals there are, in fact, is the only family of deer for which the male and female contends with his huge antlers, the female witch. In the evening more special was when turning the small island south of downtown, the Södermalm, where going to dinner I saw that the bar down the road, the Götgatan the main street of the islet, people watching a game: I spent one, I passed a second and third bar I entered and asked who was playing, was Sverige, and asked where they were playing and told me to Stockholm, and said .. urca are playing here! Going to dinner almost carefree, but suddenly I had a flash ... and I thought I throw to the stadium, I took a ride the subway and asked where was this stage and he said that because there are 3 stages in Stockholm, and then I said they probably played Solna Rosunda where is the stadium, got them running without knowing if the game was over or not arrived at the gate and told me that there were about 30 minutes and I could not get in, I get to the girl's I told him that was my compleanno e lei mi rispose che era anche il suo di compleanno, gli mostrai il documento ma non bastò per convincerla. Feci qualche battuta con lei e cercai di trovare una soluzione, vidi un signora in un cancello li vicino, andai da lei e mi disse che a settembre ci sarebbe stata un’altra partita… le spiegai la situazione e per miracolo mi fece entrare. Entrai che c’era lo stadio pieno le due tribune e la curva tutte giallo blu cantando sveeerigé , sveeerigè , ai quali mi unii anch’io, e la curva ospiti “ulma” di scozzesi in kilt probabilmente quasi tutti mezzi ubriachi che urlavano 3 volte più forte degli svedesi che erano più del triplo di loro. Alla fine della partita I managed to get close to the curve of Sweden.

took her walking on Tunnelbana (meters) in which there were virtually all the Scottish fans and I finally understood why in those days around the capital were a lot of Scots in kilts, I met a guy in particular Scottish half drunk, I was attacked in front of me to crush the underground, who was stubborn to understand what was my pendant of the necklace, I told him that I had been two months before Fatima, where Our Lady had appeared, he do not know where it was Fatima. We met a little ', and told his friends who are better than us ... we also have a fucking ... Italian!

(This and other stories "Scandinavian" can be read on the blog samufinska.blogspot )

Samuel Miceli

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Les Demoiselles d'Avignon

Lately more and more fashionable to talk about and hear about escort, or whores. Hookers like those in 1907 Pablo Picasso decided to trap in one of his most famous works: Les Demoiselles d'Avignon . After

said that the Work is located at the Museum of 'Modern Art in New York, I might say that this disturbing picture marks a turning point art of the twentieth century. Distancing himself from tradition, Picasso deliberately pokes fun of the idea that the paintings were to reflect only what the artist could be seen from a particular point of view.

The "Demoiselles " of the title are prostitutes in a brothel in Barcelona. Initially all five female nudes were painted in the "Iberian-style" that Picasso had developed in the ancient English art. But in the summer of 1907 suffered the charm of Africa and Oceania, which led him to create a disharmony that obtained in this framework in repainting the dark figure of the left side e dando alle due donne del lato destro volti spaventosi, simili a maschere. La figura accovacciata venne anche distorta e mostrata simultaneamente da due punti di vista, di spalle e di fronte: un’idea rivoluzionaria per quel tempo. Ne consegue che non c’è più un unico punto di vista: chi osserva il dipinto vede ciò che l’Artista vedrebbe se girasse continuamente intorno alle modelle.

Al centro della base dell’Opera d’Arte, disposta su una tovaglia bianca, con l’angolo del tavolo orientato verso l’alto (qualcuno vi ha visto una metafora sessuale), c’è una composizione di frutta dipinta negli innaturali colori terracotta e bianco e pesantemente contornata in nero. Questa natura Life could be a symbolic reminder to decay and death.

Cicero Bertoli

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...

... lying on his back here next

a whisper of wind

have missed a tear

aspect that expands

drunk and consumption what the eyes feel

died on in the recesses of memory

hides her face in the siege of the night

free space the mind

___________________... my mouth closed.

© nico

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...

next spell fades

(paint your eyes ...)

cold breath revealed a thrill

(imagine the Your hands ...)

falls tearing the skin

(caress your profile ...) penetrates the surface of the soul

(outlining the edge of your lips ...)

slowly gives way .. .

hands

descend from a corner appears uninhabited

the edge of a name

hours walk away

mouth

... my

© nico

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L'eteronimia

Each of us is more than a

are many

is a prolixity of himself.

The heteronyms

is an attempt to overcome

the uniqueness of human finitude and

is the expression of the awareness that life is not enough

is a vague and disturbing question

if they can be more than one life one life

if they really have the time and space that segment

or if we believe that is so

while perhaps there is only the here and nunc

the person the instant

except that existed when the first

different from that which exists at the moment after.

... nico

(special signs ... None)

photos © van

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Island Arturo

Since our last meeting I finished The Island of Arturo.
the center of the novel is about the size of the fable, the story. L 'adolescence Arturo Gerace is told in the tones of an adventure, a daily conquest of a place among the heroes of history, of an uphill struggle for the affirmation of their value. A creare questo clima di fascinosa avventura concorre soprattutto la figura del padre idealizzato: Wilhelm ,che periodicamente torna a Procida per poi lasciarla misteriosamente diretto chi sa dove. Il figlio lo immagina come il più grande dei condottieri e fantastica sperando ,un giorno, di poterlo aiutare a compiere le sue grandi imprese. E’ da qui che parte la crescita di Arturo, da un atteggiamento di devozione-emulazione nei confronti di un padre scostante, ma anche dal rapporto con la sua isola, terra prediletta, luogo incontaminato, rigoglioso, pieno di colori e sapori mediterranei. La Morante scandisce il percorso di maturazione del giovane protagonista, raccontandone la vita sin dalla nascita, ma concedendo spazio di gran lunga più ampio agli teens, the privileged object of his "investigation". Arturo grows mainly through the encounter with Nunziata, stepmother-the same age, to which the boy eats mixed feelings until then to discover in love with her and, again, by the discovery of the father's homosexuality and his travel troubles to the penitentiary of Procida . The love and the fall of the myth Nunziatella father (and the sexual initiation with a young island) enshrine the transition from boyhood to manhood, and this can only be sealed with a final departure from the island and an approach to history, hitherto excluded from the novel (the basis for the war). Following
I continued with the reading of my Swedish mystery writers, the protagonist Inspector Martin Beck, in a corrupt Stockholm, unusually cold or hot. THURSDAY
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...

in the hollow of his hands ... diventami sense air tear

enclitic scintillami mirage of light in the dark

the sinuous curve of the palm close to my mouth

incorniciami a sigh on her lips parted

allungami nelle braccia come vento che domanda

passami l'incanto di una frase delle mani tue

…il polso sublime del respiro prende vita

sussurra pallido cuore di figure

folle l'appoggio qui…

qui…sull’anima mia

(indossami ...che esisto )

© nico

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(stringimi la gola e i sogni...)

... in a damp corner of the striatum

thousand expressions contiguous ...

breath all indelibly written in the soul ...

elevates what he feels

imagining

contains the secrets locked in the sense ... a state that makes you dream ...

clumsy unconsciousness

mixed imprudent

a silent gaze swung back

infinite complete and accurate ...

unreservedly imitates the air elusive

(Hold your throat and dreams ...)

... that the hand print on the page ...

© nico

photos © van

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...istante sospeso

... while suspended

transforms the intense echo

consumes infinite sounds

trembling breath

line follows the enigmatic word

slips inflaming the senses

imprisons time in wonder

veins breaking glass slides imprinted in the skin

reflects silent soul

accomplice call hypnotic

causes and forget ...

© nico

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...

...

veiled dream faceless

sinks down under the lights ...

condemnation impalpable power

mark in the form in the verses

deep breath in violent

...

waiting ...

suspended ... ...

inside the bowels of the soul roots

anxious writhing

undermine

naked silhouettes in the night broke a breath ...

© nico

image Martin Engelbrecht

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...

...

tatuami 

di 

veleno 

__________________l'anima...

© nico

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esplicita\mente...

...
voltami in the wind shadow
ritraimi
inflexible half-open mouth
mawkish track waiting

malleable sense ... that there
that do not exist ...
I crossed path ...
breath as you are ...
concepiscimi water movement in the net property
leans
crack deeply imbued with the soul sounds
shelled
explicit \\ mind ...
fill me hands


© nico



steve richard photography

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...

scratch ... puffs of breath
words detract from the wound
strip naked soul helpless
reflected the sharp point ...
gesture measured
slow motion ... sinks into the skin
relish cutting
touch me ...
dig with a left
fall
supports the breath leaves the heart


want you here with me for a moment ...
in the palm of the hand bend my fingers




© nico

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apnea...

The moment is suspended
open mind in an exquisite transparency
Gently tighten the jaws with a sigh
is a tide ...

shatters in the mouth ajar in a horizontal line ...
infinite
on the hand weaving of sensuality
draw boundaries of a crystal heart
a breath-hold ...
light I look deep into your eyes
waiting vertigo absolute
apnea
a bow in the note on the back
close my eyes and 'I feel a shiver
...
... while
open her mouth in a grimace ... Seeking your covetous

a breath arched ...
another ...
still a ...
open my eyes lost and seeking a final
You're there

look at me and I smile as I kiss



© nico

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levigami...

secret ... madness ...
whiteness dissolves ... reveals ...
a silent gaze swung back
vibrating touch and precise movement ...
decided sospendimi
adattami urgency of breath
decidimi the agony of a smile
balance in turmoil crumbled
evaporates delicate symbol
feeds in a cruel way
trapassami after
offer me the desire to want
levigami

... body and soul ...





© nico

steve richard photography

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---tratteggiami...

apparent reflection of alchemy
intoxicating feeling ...
...
alternative fluid breathing sighs
without walls on the mouth
margin sinuous circles
traduzione risorge istante
rinasce dentro gli occhi...
mischiami l'anima ferita
decorami le confuse lacrime
tratteggiami di piacere
sulle labbra nude...
...mie
e poi tue...


© nico



Photo Zagadka Jozwik

Strangling Experiment

...

...

clear view ...

edge infinite horizon

staying inside an accelerating rhythm

trembles space ... line ... thinking ...

rumble into the soul

incessant and violent

you the breath suffocates me

die by touching the heart

... live on my lips

© nico

(for you ...)

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accadimi...

...definendo universo
l'insieme di un sistema e del suo ambiente
... tutto ciò che può interagire
(più o meno diretta\mente)
con esso
in continuo mutamento...
...
attraverso la pelle di un respiro sconfinato
nelle mani che elevano il nucleo di un battito
avvolgendo nel tepore delle sue ali
penetrando nel profondo senso immortale
...
...anima fluiscimi l'argine
(incontaminata...accadimi)

© nico

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inevitabil\mente...

...
a time clock invisible
the rustle of a silk dress
the night sky caresses her cry

a volcano under the sea
prelude to infinity ...
inevitably
a woman
___________________________sogna

.