Pordenone - the small province of the northeastern Italian opened in November Park, Gallery of Modern and Contemporary Art. Two exhibition spaces dedicated to modern and contemporary art, respectively Gallery Armando Pizzinato in the park of Villa Galvani host the exhibition until 30 January Corrado Cagli and his teaching, and exhibition space at Via Bertossi, attaulmente besieged by the work of Jim Goldberg also visited until January 30. Surprising positivamente e se ne rallegrano i visitatori, ParCo è una realtà che mancava ed ha cominciato con urto non inascoltabile. Siamo forse poco abituati nel nostro paese a frequentare con una certa regolarità musei, esposizioni temporanee, teatri, monumenti e quant'altro, ci spaventa credo la possibilità di ritrovarci spiazzati in un'assenza di tempo che ci costringe a guardare, che ci offre la mano per riflettere, per osservarci all'interno di un'immagine, per ritrovarci spiazzati difronte all'incomprensibile difficoltà di espirmersi a parole. Volendo essere sinceri e riprendendo le parole del noto Friedrich Nietzsche "l'arte ha più valore della verità" e in quanto tale non le si sfugge. O meglio, ci adoperiamo in tutti i sensi, come formichine laboriose, a istituire idee stabili, definizioni alle quali riferirci e luoghi nei quali trovarci a nostro agio, ma questo senso di verità è talvolta non sufficiente, ci rendiamo conto che abbiamo bisogno di altro. Se per caso troviamo il momento di abbandonare tutte le nostre struttre quotidiane, la nostra corazza tartarugata del lavoro, del ruolo sociale che ci trasciniamo dietro come effige non svalutabile, lì allora si apre la possibilità di trovare un tempo e uno spazio per se stessi. L'esposizione su Jim Goldberg, per esempio, ci trascina in questo istante di perdizione attraverso gli occhi di uomini che hanno sofferto, che soffrono, o che semplicemente vivono le loro vite al limite dell'esistenza. La mostra nasce dalla collaborazione between the Municipality of Pordenone and MagnumPhotos of Paris offers a dense overview, well organized, the work of American photographer. Jim Goldberg objective of thought and action become one unit of epiphanies revealing looks troubled, maladjusted, disadvantaged, abused, bored, lost, tired and thinking. His eye portrays passion and disenchantment with the reality that shows a gesture without superstructures, empty of prejudices and morality. Almost gesture ' epoché, Goldberg transfers its consciousness into the world to give them and live the present if not because this phenomenon, a phenomenon which he finds himself free to observe the proceedings, that are a matter phenomenon and works to let it speak for itself image.
So Rich and Poor Project that published in book form in 1985, brings together a series of photographs of different subjects in their homes, in their daily lives more or less unusual, accompanied by thoughts that express themselves see your reflection in, for example, "I keep thinking" Where We Went Wrong. We have no one to talk to now, However, I will not allow this loneliness to destroy me, - I STILL HAVE MY DREAMS. I would like an elegant home, a loving husband and the wealth I am used to. Vivianna Countess de Bronville. " The 1995 is the work that Raised by Wolves collects images of young boys without a home in California; rough and sharp images that leave from the false morality and objectivity of the artist are sweating out the deafening loneliness that large American cities have. See Open is part of the New Europeans of 2007 and pushes the limits of society, portraying men, women and children living near death moments and places: war, violence, poverty, disease ... but are souls trying to escape from their lives unwanted thesis looks to new horizons to different possibilities, to the desire to change the present. An exhibition that scratches to Goldberg, but he opens his eyes to the reality, preferably one that also refuse because they actually pit the stomach, and spaizza feel uncomfortable. A vision on the world around us today, a fragment of a speech yet to finish but that belongs to us. So why do not you lose some precious time to get this crowd, to be removed from the point of balance that sustains us when we walk down the street?
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