are presented in Zagreb with the highest expectations i The National, rock band originally from Cincinnati (Ohio), who returns in the Croatian capital for the tour of their latest album: High Violet. is simply a success, entered the top ten all over the world, the critically acclaimed, bringing their rock melancholy and intellectual in the limelight of the international scene ringing sold out, among them there is also the concert in Zagreb, organized for the occasion to Boćarski Sun November 14, 2010. Accomplice to a delay at the border with Hungary to the group by arriving late to wait in line three thousand fans who can enter the room only after a wait that lasted three quarters of an hour after the time prescribed. The wait queuing delay and the entry in impeding the participation of most of the spectators at the opening concert of the group: the Phosphorescent, American country-rock group that performed well in front of an audience for the most impatient and inattentive to listen to The National. Hence the deliberately bare stage with scenery, a huge white sheet illuminated by a light violet, tools strictly in place, the background music ... and waiting. The audience roars, cries loudly and meanwhile continue to wait while the interminable minutes pass. After waiting twenty minutes, the complex is on the stage between the joy of the fans, the quintet U.S., dominated by the singer / bass Matt Berninger and brothers Dessner, is extended with two horns that bring to seven the number of people on stage. Start with the thrill: the slow and moving Run Away melts the audience that sings and accompanies breaks in sync with the song sound applause, and the continuation is alternating tracks new and old hits that continue to be tuned continuously by the public that can affect the complex unexpectedly surprised by this participation, we follow Mistaken for Strangers, Bloodbuzz Ohio, Slow Show, Sorrow ... just to name the most important. The singer, who alternates between the microphone and glass of white wine (but do not affect performance) continues to give thanks always more complicated with the public: cit. "Probably we have more fans here in Ohio Than" (we probably have more fans here than in Ohio). The concert continues to raise the tone, the energy is not hard to reduce, rather increases: Apartment Story, then Abel screamed the chorus, the reflexive England, success Fake Empire in a blaze of light and arms raised, Available and then Cardinal Song ...: cit. This happens only in Zagreb! Lights off. The BIS is granted, the group returns from the public than ever at that time was his own: Start a War first before going into melancholy All the Wine ed infine l’altalenante Mr November . E’ inutile ricordare le voci che continuano ad accompagnare il complesso. Luci spente. Di nuovo. Di nuovo il pubblico che acclama.
Di nuovo il gruppo che torna sul palco. La performance di Terrible Love si avvicina alla perfezione con il progressivo incalzare della canzone che porta il grado di condivisione palco/uditorio a livelli inverosimili. Poi, qualcosa di unico, qualcosa di veramente emozionante. Via gli strumenti, via il microfono, arrivano due chitarre acustiche ed i componenti del gruppo si compattano al centro del palco: “Ora noi avremmo bisogno di silenzio e del vostro aiuto a cantare questa canzone” . Incominciano a sing the sadly beautiful Vanderlyle Crybaby Geeks accompanied by three thousand voices. Four minutes to chill. The audience of Zagreb, the public part and comes from teenagers to sixty, the audience was co-star pays tribute to an extraordinary performance with a long and warm applause to The National and hopes to find them soon. 
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